(Step-by-step video and tutorial) How to play Scarface “On My Block” on piano and re-create the instrumental from scratch using no samples.
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A really useful, and sometimes overlooked, production technique for music producers and beat makers – how to play a single sample as a VST or “virtual instrument”.
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Play a Sample Like a VST / […]
As music producers, we all go through it from time to time – and it can be quite frustrating.
Here are my top three tips for combating “producer’s block” while working on your music production.
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In this video, I explain the #1 tip that has helped me to improve my music production. These beat making tips will help you with mixing, arrangements, and your overall sound quality.
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In one of the recent beat-making videos I had uploaded, I received a question about how to remove drums from sample. Well here are my tips for you sample-based producers to help clean up your samples by “removing” the existing […]
In this video, I discuss the differences between transposing and time stretching as they pertain to your sample-based production as well as finding the appropriate tempo (or bpm) to use with your beat.
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Here’s a cool Ableton Live sampling trick that’s great to use in those certain situations when you have a short sample chop that you wish to extend, or play longer.
Specifically, in this video I show you how to use the […]
Here is a quick sampling technique that can really come in handy during your creative workflow. Using velocity variations of a single sample to emulate a delay (decay) or attack (build up) effect. I also demonstrate using the 16 velocity […]
In this quick video, I discuss my top seven benefits for any online music producer to have a personal website and how doing so can increase traffic to your site and ultimately generate more leads and more beat sales!
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In this short video tutorial, I teach you a specific layering technique to add a really cool “suction” sound to your Hip Hop drum tracks. This “pre-delay” layering effect works great for your snare and clap samples as well as […]